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Your search for
'Film' in subject
found 48 book(s). | Modify Search | Displaying 1 - 20 of 48 book(s) | |
| 1. |  | Title: A certain realism: making use of Pasolini's film theory and practice Author: Viano, Maurizio Sanzio 1950- Published: University of California Press, 1993 Subjects: Cinema and Performance Arts | Film Publisher's Description: Pier Paolo Pasolini (1922-1975) was arguably the most complex director of postwar Italian cinema. His films - Accattone , The Canterbury Tales , Medea , Saló - continue to challenge and entertain new generations of moviegoers. A leftist, a homosexual, and a distinguished writer of fiction, poetry, a . . . [more] Similar Items |
| 2. |  | Title: A critical cinema 3: interviews with independent filmmakers Author: MacDonald, Scott 1942- Published: University of California Press, 1998 Subjects: Cinema and Performance Arts | Film Publisher's Description: A Critical Cinema 3 continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose Cinema 16 Society drew American filmgoers into a broader sense of film histor . . . [more] Similar Items |
| 3. |  | Title: Six screenplays  Author: Riskin, Robert Published: University of California Press, 1997 Subjects: Cinema and Performance Arts | Film Publisher's Description: Screenwriter Robert Riskin (1897-1955) was a towering figure even among the giants of Hollywood's Golden Age. Known for his unique blend of humor and romance, wisecracking and idealism, Riskin teamed with director Frank Capra to produce some of his most memorable films. Pat McGilligan has collected . . . [more] Similar Items |
| 4. |  | Title: The Magnificent Ambersons: a reconstruction Author: Carringer, Robert L Published: University of California Press, 1993 Subjects: Cinema and Performance Arts | Film Publisher's Description: Orson Welles considered The Magnificent Ambersons the crucial turning point in his career. He said, " They destroyed Ambersons and it destroyed me." In 1942, while Welles was away, RKO Studios drastically recut the completed film. None of that deleted footage is known to survive.Now film scholar Rob . . . [more] Similar Items |
| 5. |  | Title: Comedy/cinema/theory Author: Horton, Andrew Published: University of California Press, 1991 Subjects: Cinema and Performance Arts | Film Publisher's Description: The nature of comedy has interested many thinkers, from Plato to Freud, but film comedy has not received much theoretical attention in recent years. The essays in Comedy/Cinema/Theory use a range of critical and theoretical approaches to explore this curious and fascinating subject. The result is a . . . [more] Similar Items |
| 6. |  | Title: Film quarterly: forty years--a selection Author: Henderson, Brian Published: University of California Press, 1999 Subjects: Cinema and Performance Arts | Film Publisher's Description: During its forty years as a forum for scholars, filmmakers, critics, and film lovers, Film Quarterly has looked in depth at the most critical elements in the political, social, theoretical, and aesthetic history of the cinema. Once closely tied to Hollywood, the journal was investigated by the Tenne . . . [more] Similar Items |
| 7. |  | Title: Play it again, Sam: retakes on remakes Author: Horton, Andrew Published: University of California Press, 1998 Subjects: Cinema and Performance Arts | Film Publisher's Description: Play It Again, Sam is a timely investigation of a topic that until now has received almost no critical attention in film and cultural studies: the cinematic remake. As cinema enters its second century, more remakes are appearing than ever before, and these writers consider the full range: Hollywood . . . [more] Similar Items |
| 8. |  | Title: Placing movies: the practice of film criticism Author: Rosenbaum, Jonathan Published: University of California Press, 1995 Subjects: Cinema and Performance Arts | Film Publisher's Description: Jonathan Rosenbaum, longtime contributor to such publications as Film Quarterly, Sight and Sound, and The Village Voice , is arguably the most eloquent, insightful film critic writing in America today. Placing Movies , the first collection of his work, gathers together thirty of his most distinctive . . . [more] Similar Items |
| 9. |  | Title: Light moving in time: studies in the visual aesthetics of avant-garde film Author: Wees, William C. (William Charles) 1935- Published: University of California Press, 1992 Subjects: Cinema and Performance Arts | Film Publisher's Description: To view a film is to see another's seeing mediated by the technology and techniques of the camera. By manipulating the cinematic apparatus in unorthodox ways, avant-garde filmmakers challenge the standardized versions of seeing perpetuated by the dominant film industry and generate ways of seeing th . . . [more] Similar Items |
| 10. |  | Title: Refiguring American film genres: history and theory Author: Browne, Nick Published: University of California Press, 1998 Subjects: American Studies | Film | Cultural Anthropology Publisher's Description: This collection of essays by leading American film scholars charts a whole new territory in genre film criticism. Rather than assuming that genres are self-evident categories, the contributors offer innovative ways to think about types of films, and patterns within films, in a historical context. Ch . . . [more] Similar Items |
| 11. |  | Title: Hitchcock on Hitchcock: selected writings and interviews Author: Hitchcock, Alfred 1899- Published: University of California Press, 1995 Subjects: Cinema and Performance Arts | Film Publisher's Description: Gathered here for the first time are Alfred Hitchcock's reflections on his own life and work. In this ample selection of largely unknown and formerly inaccessible interviews and essays, Hitchcock provides an enlivening commentary on a career that spanned decades and transformed the history of the ci . . . [more] Similar Items |
| 12. |  | Title: Eloquent gestures: the transformation of performance style in the Griffith Biograph films Author: Pearson, Roberta E Published: University of California Press, 1992 Subjects: Cinema and Performance Arts | Film Publisher's Description: Between 1908 and 1913, D. W. Griffith played a key role in the reformulating of film's narrative techniques, thus contributing to the creation of what we now think of as the classical Hollywood cinema. This book is the only extensive treatment of a critical period in the history of film acting: the . . . [more] Similar Items |
| 13. |  | Title: Sundance to Sarajevo: film festivals and the world they made Author: Turan, Kenneth Published: University of California Press, 2002 Subjects: Cinema and Performance Arts | Film Publisher's Description: Almost every day of the year a film festival takes place somewhere in the world--from sub-Saharan Africa to the Land of the Midnight Sun. Sundance to Sarajevo is a tour of the world's film festivals by an insider whose familiarity with the personalities, places, and culture surrounding the cinema ma . . . [more] Similar Items |
| 14. |  | Title: Black African cinema Author: Ukadike, Nwachukwu Frank Published: University of California Press, 1994 Subjects: Cinema and Performance Arts | Film Publisher's Description: From the proselytizing lantern slides of early Christian missionaries to contemporary films that look at Africa through an African lens, N. Frank Ukadike explores the development of black African cinema. He examines the impact of culture and history, and of technology and co-production, on filmmakin . . . [more] Similar Items |
| 15. |  | Title: Writing the character-centered screenplay Author: Horton, Andrew Published: University of California Press, 1994 Subjects: Cinema and Performance Arts | Film | Writing Publisher's Description: "We need good screenwriters who understand character." Everywhere Andrew Horton traveled in researching this book - from Hollywood to Hungary - he heard the same refrain. Yet most of the standard how-to books on screenwriting follow the film industry's earlier lead in focusing almost exclusively on . . . [more] Similar Items |
| 16. |  | Title: The films of Oshima Nagisa: images of a Japanese iconoclast Author: Turim, Maureen Cheryn 1951- Published: University of California Press, 1998 Subjects: Cinema and Performance Arts | Film | Japan Publisher's Description: This study of the films of Oshima Nagisa is both an essential introduction to the work of a major postwar director of Japanese cinema and a theoretical exploration of strategies of filmic style. For almost forty years, Oshima has produced provocative films that have received wide distribution and in . . . [more] Similar Items |
| 17. |  | Title: A critical cinema 2: interviews with independent filmmakers Author: MacDonald, Scott 1942- Published: University of California Press, 1992 Subjects: Cinema and Performance Arts | Film | Women's Studies Publisher's Description: This sequel to A Critical Cinema offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues.The interviews explore th . . . [more] Similar Items |
| 18. |  | Title: In a cold crater: cultural and intellectual life in Berlin, 1945-1948 Author: Schivelbusch, Wolfgang 1941- Published: University of California Press, 1998 Subjects: History | German Studies | European History | Literature | Film | Music Publisher's Description: Although the three conspicuous cultures of Berlin in the twentieth century - Weimar, Nazi, and Cold War - are well documented, little is known about the years between the fall of the Third Reich and the beginning of the Cold War. In a Cold Crater is the history of this volatile postwar moment, when . . . [more] Similar Items |
| 19. |  | Title: More than night: film noir in its contexts Author: Naremore, James Published: University of California Press, 1998 Subjects: Cinema and Performance Arts | Film | Literature Publisher's Description: "Film noir" evokes memories of stylish, cynical, black-and-white movies from the 1940s and 1950s - melodramas about private eyes, femmes fatales, criminal gangs, and lovers on the run. In More Than Night , James Naremore discusses these pictures, but he also shows that the central term is more compl . . . [more] Similar Items |
| 20. |  | Title: First cut: conversations with film editors Author: Oldham, Gabriella Published: University of California Press, 1992 Subjects: Cinema and Performance Arts | Film | Media Studies Publisher's Description: First Cut offers an opportunity to learn what film editing really is, and to learn from the source. Gabriella Oldham's interviews with twenty-three award-winning film editors give a full picture of the complex art and craft of editing a film. Filled with animated anecdotes and detailed examples, thi . . . [more] Similar Items |